Stephanie Noriega - Ethnic Am Lit
Monday, May 19, 2014
Thursday, April 17, 2014
Fictive Fragments of a Father and Son
Fictive Fragments of a Son
By David Mura
I enjoyed this story because it
shows the difference in generations between father and son. You can see how as
the years go by, some things may change while some things still may stay the
same. The fact that the boy is growing up in America does change some things,
however. For example, when he mentions discovering his sexuality, he also
relates to the typical American boy. It seems as though he wants reassurance
that he is fitting into the norm as everyone else in America.
The speaker
mentions the women that he views “must be more beautiful than Asian women, more
prestigious.” This thought of his may be different then of his father or
grandfather. However, you can see what the speaker has become adapted to. By being
in America, he has new views on women, who are different then what his father
or grandfather are used to.
The speaker
also mentions how he has it easier then his father had it: “the beating were no
different from the long distances he had to walk to school or the work he
performed in his father’s nursery. They were simply proof that my fathers
childhood was harsher then mine.” This also shows the generation difference of
growing up between his father and him.
However,
throughout this story, it is not guaranteed that some of these things occurred.
Instead, the speaker is finding some of these things and making inferences.
This also shows how a child can be curious about his or her parent’s lives of
when they were younger. Overall, it amazes me to see the difference in
generations between a father and son, and how growing up in America may have
something to do with it.
Cats of Mirikitani
Cats of Mirikitani
I found the film Cats of Mirikitani to be amazingly
powerful. I found it quite miraculous how Linda was able to find something in
Jimmy to want to interview him and follow his story. It was nice to see one act
of kindness do so much to someone. I was glad to see her offer her home to
Jimmy in hopes that he would better himself. After seeing his potential in art,
she knew that Jimmy meant well and after the 9/11 incident she could not bear
to live with him living in the streets.
I noticed a
parallel connection between Japanese Americans during the World War II and
Muslims after 9/11. People are quick to assume and make insulting connections
just from a person’s image. These stereotypes can be quite offensive,
especially to innocent people. For Jimmy, he was told to “go back to his
country” in which little did people know that he was actually born in San
Francisco, California.
I never knew about
the Japanese Concentration Camps and the conditions that these Japanese
Americans were put in. Forcing them to give up their American citizenship and
then returning it without notifying them was beyond cruel.
Jimmy continued to
live the rest of his life hating the American government. He always thought
that they were scheming to harm him in the long run. This caused him to be
reluctant in having them help him find an apartment on his own.
I thought Jimmy
was such a powerful man overall. Not only did he live through hell but was also
able to remember every single memory from his younger years. I felt like the
theme of memory played a major role throughout the story. He was able to cope
with the pain of his memory through his paintings. I also felt as though
visiting the Tule Lake was a sign of closure with Jimmy’s haunting past. By
visiting such a devastating place, he was able to finally say goodbye to that
chapter in his life and continue on with his life. I appreciated the fact that
although Jimmy remembered everything in his life, he did not let that stop him
from doing what he loved, which was painting.
At the end of the
day, this made me realize that the American dream involves pursuing your
destiny in life no matter obstacles may get in the way of that. Regardless of
the harsh life Jimmy was given, he made sure painting stayed dear to him
whether he made millions of dollars from it or not- do what you are passionate
about and that is the American dream.
Monday, March 24, 2014
The Third and Final Continent
The Third and Final Continent
By: Jhumpa Lahiri
I
was profoundly interested in the loss of tradition that occurred throughout
this story. The narrator is explains his journey from India to North London and
then to America. It amazes me how he only changed his Indian traditions once he
arrived to America. The narrator is able to adapt so well to America because of
his keen sense of observing patterns throughout the area. Not only that, but he
also reads in order to learn about American customs.
In
North London, the narrator stayed committed to his Indian customs. I believe
this may have been because he was living with other Bengali bachelors and that
is all they seemed to have known. One custom that seemed to stand out was how
they ate egg curry with their hands. Another custom that continued in North
England was how marriages were still being arranged considering the long
distance between North England and Calcutta.
I
found it interesting how the narrator considers moving to America because of a
job opportunity. This goes back to the idea of fulfilling the life of the
“American Dream.” The main concern the narrative had was to ensure that the job
was “generous enough to support a wife.” Having a wife was out of his control
and since this was an arranged marriage, he had no choice but to marry this
woman and take care of her.
The
narrator quickly learns about the American lifestyle by reading The Student Guide to North America. This
tool helped the narrator learn about American ways and what certain phrases
meant. This helped him maneuver his way into the new country. One of the
advices that I found interesting from this guidebook was: “The pace of life in
North America is different from Britain as you will soon discover. Everybody
feels he must get to the top.” I felt as though he quickly caught on to this
idea. For example, he wanted to show up on time for his ‘interview’ for the
apartment with Mrs. Croft. Not only that, but he made sure he wore a coat and
tie and even mentions his fresh breath of Listerine. He definitely made sure he
had a lasting impression on Mrs. Croft for the apartment. I feel as though in
America, everyone is always fighting for one certain position- and people would
do anything in the world to get it.
I
also noticed how a Catholic-based religion seemed to be quite important from
the minute the narrator got on the plane. Once the pilot announced the news of
the man landing on the moon, a passenger hollered “God Bless America” and the
narrator noticed a woman praying. The fact that the narrator noticed these acts
shows that he may have felt like an outcast since he was from India. He also
mentions “a small wooden cross on one wall” in the YMCA room. This religion
seems to be everywhere and seems to help with an acceptance of breaking some of
his religious views. For example, the narrator first shows complete worry in
making sure Mala does not encounter an issue with her sari like the woman he
witnessed with the dog. However, in a following scene, he tells her, “There is
no need to cover your head. I don’t mind. It doesn’t matter here.” This showed
the transition into the “American” side of him.
He
also states all the things he was now no longer “used to.” He begins to learn
that while living in Mrs. Croft’s building, he had adapted into a new routine,
a new tradition. Once Mala came, he had to get used to an entirely new culture,
a culture in which he had lost because he was already “Americanized.” He
states, “Unlike Mala, I was used to it all by then: used to cornflakes and
milk, Helen’s visits, used to sitting on the bench with Mrs. Croft. The only
thing I was not used to was Mala.”
I
found it interesting how he was not originally happy with Mala until Mrs. Croft
meets her. It seemed as though he needed Mrs. Croft’s approval of her in order
for him to give her a chance. Mrs. Croft states, “She is a perfect lady!” It
was through Mrs. Croft that finally a connection was then made between Mala and
the narrator.
Overall,
this story showed that routines could form by sticking to the pattern faithfully.
Although both the narrator and Mala had been reluctant to a new lifestyle, they
finally put effort into working together towards a new routine and it ended up
working out. The narrator was able to move from India to North England to
America and had to adjust to a different routine each time. Eventually, they
both lived based off the “American routine” where “Mala no longer drapes the
end of her sari over her head, or weeps at night for her parents.” Although
they were able to live an “American lifestyle,” they made sure the culture was
not completely lost with their son. The narrator explains how once in a while
they bring their son back home to Cambridge, “so that he can eat rice with us
with his hands, and speak in Bengali.”
Overall,
one tradition that never died with the narrator was how he always remembered
the street that he first lived when he moved to America. He first took Mala
there and he made it his own routine to drive by Massachusetts Avenue and think
about his first experiences in America and ponder on how far he has come since.
Monday, March 17, 2014
Smoke Signals
Directed and co-produced by: Chris Eyre
Screenplay by: Sherman Alexie
The movie, Smoke Signals included a theme of the
"American road trip" and discovering the truth behind a father's
past. All within these themes, you also realize a deeper irony with the history
of Native Americans. Throughout the movie, there are also many signs of
symbolism as Victor unfolds the truth within this journey with Thomas.
In
the beginning of the film, the opening fire seems to frame the film. This fire
immediately draws you in to where the story begins: asks you questions like
"How did this fire start? Who is responsible for this fire?" Of course,
the audience does not get the answers to these questions immediately. As this
fire is taking place, Arnold Joseph seems like the ideal Native American hero
that rescues the baby from the fire. It is ironic how the man that saves the
baby, is also the man that started the fire and is the reason why Thomas'
parents die in the fire that night. That same night, you get a sense that a
little bit of Arnold Joseph also dies in the fire that night.
I found this movie to have irony or symbolism in almost every
scene. The inclusion of magic in the movie symbolizes the manipulation of
perception and illusion that is portrayed throughout the movie. Within a magic
trick, it all depends on how the magician follows through with the act and how
well the audience perceives the trick. In this case, Arnold Joseph is the
magician, and he is always playing tricks on Victor. I believe this shows how
Victor was always blinded by the truth of the night of the fire, whereas Thomas
seemed to the know the truth this entire time. I found it interesting how
Victor explained how his father was always doing magic tricks where he would
make things disappear until he vanished for good, meaning he left them and
never returned.
I also found it ironic at the fact that Victor seemed like such a
warrior and tough guy compared to Thomas. He seemed like he knew it all,
especially during the bus ride scene with Thomas. He tells Thomas, "Don't
you know how to be a real Indian?" He explains to Thomas how you have to
look mean- like you just hunted a buffalo. He also tells Thomas that he has to
know how to use his hair- "an Indian isn't anything without his
hair." -This part was extremely ironic because Victor is the one that ends
up cutting his hair towards the end of the movie. It seemed as though Victor
knew how to be Indian and yet at the same time, he was oblivious to the truth.
The significance of storytelling also played a huge role
throughout the movie. It was interesting how Thomas was constantly making up
stories and yet knew the truth about Arnold Joseph the entire time. I also
found it ironic during the flashback scene of Arnold Joseph telling Suzy about
the basketball game with Victor. He lied about the ending of the game; he had
told Suzy how Victor had made the winning shot and "for at least one day,
the Indians won." This was a powerful quote from the movie. Arnold
Joseph's statement related back to history. Indians were always inferior to
everyone else; they lost their land and many have lost their tribes. I found it
interesting how even in something as simple as a basketball game, the Indians
still could not win and Arnold Joseph had to make the story up as if it was
something he always wished would someday come true. It was overall a crushing
reality that they were always the underdogs- in history and during that
basketball game.
One metaphor that occurred in the movie that I did not understand
until class discussion was the meaning of the car going backwards. After our
discussion, I was explained how the car going backwards was a metaphor for the
quote, "you have to go backwards in order to go forward." This
overall explains how Victor reminisced about his own life and relationship with
his father and learned to accept his father's actions. Although it seemed as if
he had complete anger towards him in the beginning, especially when he
reflected back when his father hit him, he somewhat understood towards the end
of the movie to forgive his father.
The closing fire in the movie seemed to signify the removal or
cleansing of negativity. Now the truth was revealed about the first fire and
now this fire was an actual smoke signal of the truth. This fire was the
acceptance of the truth and letting go of all the bad and embracing a positive
attitude of the truth.
Sunday, March 16, 2014
My Name
"My Name"
by Sandra Cisneros
“My Name”
by Sandra Cisneros is a chapter from her famous novel, The House on Mango Street. This chapter from her novel explains how
a name related to the identity of a person. The narrator explains how in
English, it means hope, a positive meaning. However, in Spanish, her name means
the opposite; “it means sadness, it means waiting.” The way the narrator begins
to compare the English definition of her name with the Spanish meaning shows
that she seems stuck in the middle. The narrator does not seem sure to know
which meaning she should follow through with.
In the next
paragraph, the narrator explains how her great-grandmother had the same name as
her. She begins to compare herself to her great-grandmother. She begins by saying
they were both born in the Chinese year of the horse. By saying that both the
Chinese and Mexicans do not like their women strong shows that immediately
being born into this year would mean that she was meant to be a ‘weak’
individual.
In the
following paragraph, the narrator explains how she never actually met her
great-grandmother. However, her thoughts about her name come from information
she was told about her great-grandmother. Her great-grandmother spent her whole
life looking out a window. She wonders if her great-grandmother made the best
of what she had or pitied her life. I think the narrator deep down feels as
though her great-grandmother always ‘hoped’ for a better life. In this
paragraph, Cisneros finally gives the audience the name of the narrator:
Esperanza. Cisneros writes, “I don’t want to inherit her place by the window.”
The narrator seems to think that the significance of her name being the same as
her great-grandmother would mean that she would have the same outcome as her
great-grandmother. The entire time, the narrator is afraid that her destiny
would be to always ‘hope’ for a better life.
In the
following paragraph, the narrator explains how the students at school say her
name “funny.” This shows the reader that although her name is authentic, from
her Spanish culture, she does not feel confident about it. There seems to be a
loss of connection with her father’s culture and how she does not feel
comfortable with her name.
The final
paragraph explains how she needs a new name that represents “the real me.” This
made me think beyond the text. When we are born, our parents name us according
to the significance of the name. Some parents name their child after their
idol, or after a word that means something and they hope that their child would
fill the shoes of that name proudly. Perhaps Esperanza’s father was proud of
his grandmother and who she was overall. However, Esperanza thought otherwise.
She was more concerned with who she was and wanted a different name to
represent her character. She did not want her name to define her but yet her
character to define her name. She wanted to be reborn into perhaps a new ‘destiny’
for herself. She did not want her great-grandmother's life to represent the life she would have to live. At the end of the day, this chapter makes you think about your
name and how meaningful it may mean to you or not. Some people may be
embarrassed of their name because they do not feel comfortable with it.
However, do not let the history of your name define you, but rather you define your name, without having to change it.
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